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Abhijan Gupta

Abhijan Gupta is an independent curator and writer, and with Pujita Guha, the co-director of the Forest Curriculum. He has been the Curatorial Assistant to the Artistic Director of the Samdani Art Foundation, and Assistant Curator for the 2018 edition of the Dhaka Art Summit. Previously, he served as the Programs Manager at the Bellas Artes Project, Manila and Project-and-Curatorial Assistant, Council and the Against Nature Journal, Paris, France; the Majlis Cultural Centre, Mumbai, and the Asia Art Archive. He is currently a fellow of the Forecast Platform at the Haus der Kulturen der Welt, Berlin, and has been a fellow of the Tate Research Centre: Asia, at the MMCA, Seoul and researcher-in-residence at the HSLU-University of Applied Arts and Sciences, Luzern Switzerland and at the Tentacles Art Gallery in Bangkok. He is a member of the Chareon Contemporaries collective, based in Bangkok. Selected exhibitions include Occupy Exhaustion, Haus der Welt, Berlin (2018); Postscripts, Bangkok Biennial (with the Chareon Contemporaries Collective) (2018); History Zero, Mumbai Art Room, Mumbai (2017) and is participating in the School of Storytellers, part of Ghost2561, with the Forest Curriculum, and Southern Constellations, Moderna Galleria, Ljubljana (Contributing Curator, 2019). He will participate in the TransCuratorial Academy in Phnom Penh and the Parasite Workshop for Young Curators (2018), and has participated in the Curators? Workshop, Kochi Biennial (2016) and Gwangju Biennale (2018). He graduated from the Faculty of Fine Arts, MS University of Baroda, India and holds a certificate from the ENSBA, Paris.

involved in:

2018 Curatorial Intensive in Bangkok: Public Symposium

2018 Curatorial Intensive in Bangkok: Public Symposium Sunday, October 28, 2018 12pm–5pm Ayara Hall, 2nd Fl, Jim Thompson House Museum 6 Kasemsan 2, Rama 1 Road Phatumwan, Bangkok FREE and open to the public This day-long symposium concludes the inaugural ICI Curatorial Intensive in Bangkok. The panel discussion will addresses the question of “Why Curators?” […]

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