Alejandro Cesarco (b. Montevideo, Uruguay, lives/works in New York) utilizes different formats and strategies to address his recurrent interests in repetition, narrative, and the practices of reading and translating. Recent solo exhibitions include: The Measures of Memory, Raffaella Cortese, Milan, (2017); The Inner Shadow, A Tale of a Tub, Rotterdam (2016); Prescribe the Symptom, Midway Contemporary Art, Minneapolis (2015); Loyalties and Betrayals, Murray Guy, New York (2015); Secondary Revision, Frac Île-de-France/Le Plateau, Paris (2013); A Portrait, a Story, and an Ending, Kunsthalle Zürich (2013); Alejandro Cesarco, mumok, Vienna (2012); A Common Ground, Uruguayan Pavilion, 54th Venice Biennial (2011); One without the Other, Museo Rufino Tamayo, Mexico City (2011); and Present Memory, Tate Modern, London (2010). Group exhibitions include: Question the Wall Itself, Walker Art Center, Minneapolis (2016); Under the Same Sun, Solomon R. Guggenheim Museum, New York (2014); Tell It to My Heart: Collected by Julie Ault, Museum für Gegenwartskunst, Basel (2013); and The Imminence of Poetics, 30th Bienal de São Paulo (2012). Cesarco is Director of the non-profit arts organisation Art Resources Transfer.
Image: Alejandro Cesarco, Vanitas (From Remorse to Regret) (Detail), 2017. ?Courtesy of the Artist and Tanya Leighton, Berlin. THE SEEN | Stephanie Cristello in Conversation with Alejandro Cesarco Thursday, January 18, 2018 6:308pm ICI Curatorial Hub 401 Broadway, Suite 1620 FREE and open to the public Editor-in-Chief of THE SEEN Stephanie Cristello will be in […]read more »