Andrea Giunta is Professor at the Universidad de Buenos Aires, where she got her PhD, and is Principal Researcher of the CONICET, Argentina. She is the author of several books on Latin American and International Art, such as Avant-Garde, Internationalism and Politics. Argentine Art After the Sixties (Duke University Press, 2007) and ¿When Does Contemporary Art Begin? (ArteBA 2014). She was founder director of the Center for Latin American Visual Studies at the University of Texas at Austin (2009-2013) where she holds the Chair in Latin American Art History and Criticism. She was curator of the controversial retrospective exhibition on León Ferrari’s works (Centro Cultural Recoleta, Buenos Aires, 2004), co-curator (with Agustin Pérez Rubio) of Verboamérica, permanent collection of Latin American Art at MALBA (2016), and co-curator (with Cecilia Fajardo-Hill) of Radical Women: Latin American Art, 1960-1985 at Hammer Museum. Visiting Professor at Duke University, Ecole des hautes études en sciences sociales, Paris, she was awarded with the Guggenheim, Getty, Rockefeller, Harrington fellowships and as Visiting Professor at Columbia University, Spring 2017. Her essays on Latin American and international postwar art have been published in academic journals, books and catalogue exhibitions in the Americas and Europe.
Radical Women: Latin American Art, 19601985
Image: Paz Errázuriz (born Chile, 1944). Evelyn, 1982, from the series La manzana de Adán (Adams apple), 198290. Gelatin silver print, 15 9/16 × 23 1/2 in. (39.5 × 59.7 cm). Courtesy of the artist and Galería AFA, Santiago. © Paz Errázuriz. Radical Women: Latin American Art, 19601985 Presented by Cecilia Fajardo-Hill, Andrea Giunta, and […]read more »