Carlos Motta’s (Colombia, 1978) multi-disciplinary art practice documents the social conditions and political struggles of sexual, gender, and ethnic minority communities in order to challenge dominant and normative discourses through visibility and self-representation. His work was the subject of the survey exhibitions Carlos Motta: Formas de Libertad at the Museo de Arte Moderno de Medellín (MAMM), Colombia (2017) that traveled to Matucana 100, Santiago, Chile (2018); and Carlos Motta: For Democracy There Must Be Love, Röda Sten Konsthall, Gothenburg, Sweden (2015). His solo exhibitions at international museums include, The Crossing (2017), Stedelijk Museum, Amsterdam; Histories for the Future (2016), Pérez Art Museum (PAMM), Miami; Réquiem (2016), Museo de Arte Latinoamericano the Buenos Aires (MALBA) (2016); Patriots, Citizens, Lovers (2015), PinchukArtCentre, Kiev; Gender Talents (2013), Tate Modern, London; La forma de la Libertad (2013), Sala de Arte Público Siqueiros, Mexico; We Who Feel Differently (2012), New Museum, New York; Brief History (2009), MoMA/PS1, New York; and The Good Life (2008), Institute of Contemporary Art (ICA), Philadelphia; among others. Motta won the Vilcek Foundation’s Prize for Creative Promise (2017); the PinchukArtCentre’s Future Generation Art Prize (2014); and a Guggenheim Fellowship (2008). He is a graduate of the Whitney Independent Study Program (2006); and received grants from Art Matters (2008), NYSCA (2010), Creative Capital Foundation; and the Kindle Project (2012). Motta participated in Incerteza Viva: 32nd Bienal de São Paulo (2016); A Story Within A Story: Göteborg International Biennial of Contemporary Art (2015); Burning Down the House: X Gwangju Biennale (2014); and Le spectacle du quotidian: X Lyon Biennale (2010). His films have been screened at the Rotterdam Film Festival (2016, 2010); Toronto International Film Festival (2013); and Internationale Kurzfilmtage Winterthur (2016); among many others.