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Fadzai Veronica Muchemwa

Fadzai Veronica Muchemwa is a Harare based researcher, writer and curator. She is currently the Curator for Education and Public Programming at the National Gallery of Zimbabwe. Fadzai is interested in gender and sexuality in visual art, conceptual art, performativity and the history of African art. Fadzai is also interested in how the diaspora and the global North have influenced trends in Africa. She has worked on Basket Case II, and the Zimbabwe Pavilion at La Biennale di Venezia in 2015 and 2017. She has co curated Culture in Communities, and Jazzified: Expressions of Protest with Lilian Chaonwa, and Dis(colour)ed Margins with Tandazani Dhlakama. She is currently working on Moulding a Nation at the National Gallery of Zimbabwe and The Unseen: Creatures of Myth and Legend on show at the Lusaka National Museum in July 2018. Fadzai attended the ICI curatorial intensive in Dakar in June 2016. She also attended the British Museum’s International Training Programme in 2017 and was based in the Department of Africa, Oceania and the Americas and her partner placement was spent at Glasgow Museums. In December 2017 Fadzai returned to the British Museum to attend the ITP+ Course, Photography & Documentation. She is part of the Arts and Culture: Writers in Africa Network (ACWA).

involved in:

Curatorial Intensive in Dakar: Public Symposium

Curatorial Intensive in Dakar: Public Symposium Sunday, June 5, 2016 10am–1:30pm RAW Material Company – Zone B Villa 2B, Zone B Dakar, Senegal FREE and open to the public The participants of Curatorial Intensive in Dakar will each present their exhibition and project proposals they have workshopped throughout the course of the week. * Please […]

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Cultural Practice in the Time of Fear and Half-truths

Reports from the Field are perspectives from Curatorial Intensive Alumni from around the world, and reflections on the impact of the global pandemic on their lives, ways of working, their communities, and how they are adapting as a response. Fadzai Muchemwa, Alumna of the Curatorial Intensive Dakar ’16, writes from Harare, Zimbabwe.

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