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INDEPENDENT CURATORS INTERNATIONAL
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Margot Bouman

Margot Bouman is an Assistant Professor of Visual Culture at The New School. She holds an M.A. and a Ph.D. in Visual and Cultural Studies from the University of Rochester. Recent awards and fellowships include a GIDEST research fellowship, and a nomination for a Distinguished University Teaching Award (both 2017/18), as well as a 2016/17 Art Writing Workshop recipient (The Creative Capital/Andy Warhol Foundation Arts Writers Grant Program). She is at work on a manuscript about avant-garde television, from the 1940s to the 1980s. A recently completed essay that offers a new theorization of memes will appear in an upcoming Wiley-Blackwell reader in visual culture. She has a book under contract with Bloomsbury Publishing on sampling as a site-specific practice. A chapter in this book thinks through Dana Schutz’s painting, Open Casket (2016) to the longer representational history of Emmett Till, which Bouman anchors in contemporary art, the civil rights movement, Jim Crow and white shame. In addition to memes, sampling, avant-garde television and contemporary art, her research interests include the long, oppositional interrelationship between cultural and economic capital, and the work of the feminist/analytic philosopher Elizabeth Anderson on freedom and equality.

involved in:

Comradeship Reading Group: Form-Specific Art

Daniel Buren, Comme dans un miroir: Division–Multiplication– Addition–Subtraction [As in a Mirror: Division–Multiplication–Addition–Subtraction]. Installation view, Form Specific: Arteast exhibition, presented in the then-unrenovated premises of the Muzej sodobne umetnosti Metelkova (+MSUM),Ljubljana, 2003 Comradeship Reading Group: Form-Specific Art Tuesday, April 23, 2019 6:30 – 8 PM ICI 401 Broadway Suite 1620 New York, NY 10013 FREE […]

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Comradeship Reading Group

Comradeship Reading Group Tuesday, February 19, 2019 6:30-8pm ICI 401 Broadway Suite 1620 New York, NY 10013 FREE and open to the public Throughout 2019 ICI will be reading and thinking through Comradeship: Curating, Art, and Politics in Post-Socialist Europe. This selection of texts by Zdenka Badinovac, edited by J. Myers-Szupinska, gathers twenty years of […]

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