Seth Cluett is a composer and visual artist who creates work that explores everyday actions at extreme magnification, examines minutae by amplifying impossible tasks, and tries to understand the working of memory in forms that rethink the role of the senses in an increasingly technologized society. Ranging from photography and drawing to installation, concert music, and critical writing, his subtle seductive, immersive (Artforum) sound work has been characterized as rigorously focused and full of detail (e/i) and dramatic, powerful, and at one with nature (The Wire). Exploring the territory between the senses, Cluetts works are marked by a detailed attention to perception and to the role of sound in the creation of a sense of place, the workings of memory, and the experience of time. His research interests and critical writings investigate embodied cognition, sound in virtual and augmented reality, the media history of the loudspeaker, the history and documentation of sound in art practice, and architectural acoustics. The recipient of grants from Foundation for Contemporary Arts Emergency Fund and Meet the Composer, his work has been presented internationally at venues such as The Whitney Museum, MoMA/PS1, Moving Image Art Fair, CONTEXT Art Miami, GRM, and STEIM. His concert work has been commissioned by ensembles ranging from the Hong Kong Sinfonietta and the International Contemporary Ensemble to So Percussion, Catch Guitar Quartet, and Clogs and is documented on Line, Sedimental, Notice, and Winds Measure recordings. Cluett is the Assistant Director of the Computer Music Center and Sound Art Program at Columbia University and is Artist-in-Residence with Experiments in Art and Technology at Nokia Bell Labs where he maintains a studio and is active in research on virtual and augmented reality acoustics and multi-sensory communication.
Featuring the work of Seth Cluett, Juan Cortés, Iain Forsyth and Jane Pollard, Bani Haykal, Yuko Mohri, Marina Rosenfeld, Aura Satz, and Samson Young, the exhibition foregrounds artistic practices that deconstruct, rebuild, manipulate, and visualize audio experience through digital and analog means.read more »