ANDREA PARKINS AT HARVESTWORKS

Posted on August 16, 2014

With Hidden Noise artist Andrea Parkins’ installation Three Rooms in the Memory Palace – Part 1. will be presented at Harvestworks Digital Media Arts Center in New York, August 18 – 22, 2014. Three Rooms in the Memory Palace is a three part electroacoustic work-in-progress, and the upcoming exhibition will feature part 1 – an 8-channel generative audio work. Parkins is a composer, sound artist and improvising electroacoustic performer, and her work is included in With Hidden Noise, currently on view at the Henry Art Gallery in Seattle. Her installations have been presented at venues such as the Whitney Museum of American Art and The Kitchen in New York, and at international festivals such as Mexico City’s 1st International Sound Art Festival.

Harvestworks writes about Parkins’ Three Rooms in the Memory Palace:

“Three Rooms in the Memory Palace” is a continuation of this work and also an investigation of tensions between “the real” and the ephemeral, and of slippages between phenomenological experience, memory and the poetic uncanny.”

To learn more about the upcoming exhibition, visit the Harvestworks website, here.

Posted to

about ici

Independent Curators International (ICI) supports the work of curators to help create stronger art communities through experimentation, collaboration, and international engagement. Curators are arts community leaders and organizers who champion artistic practice; build essential infrastructures and institutions; and generate public engagement with art. Our collaborative programs connect curators across generations, and across social, political and cultural borders. They form an international framework for sharing knowledge and resources — promoting cultural exchange, access to art, and public awareness for the curator’s role.

support ici

Join ICI’s network of supporters, and help building a dynamic international exchange platform for the curators, artists and art spaces that advance the reach of art practice in the 21st century; and gain access to the people and practices that are key to current developments in art, curating, and exhibition-making today.