In 1990, Rosalind Krauss published her seminal essay on museums of contemporary art, arguing that the increased scale of museum architecture led the viewer’s attention to focus on a sublime experience of space itself, rather than to the works of art displayed within it. To what extent have Krauss’s arguments been fulfilled in the last twenty years? And have compelling alternatives to her diagnosis arisen in its wake.
A panel discussion with Bruce Altshuler, Director, Program in Museum Studies, New York University; Manuel Borja-Villel, Director, Museo Nacional Reina Sofia, Madrid; and Beatriz Colomina, Professor, Department of Architecture, Princeton University.
Chaired by Johanna Burton, Director, Bard Center for Curatorial Studies.
“The Now Museum: Contemporary Art, Curating Histories, Alternative Models” was presented by the Ph.D. Program in Art History at the CUNY Graduate Center, Independent Curators International, and the New Museum on March 10, 2011 – March 13, 2011.
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