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CAMP (established 2007, India) was founded by Shaina Anand, Sanjay Bhangar, and Ashok Sukumaran as a collaborative studio practice, working across the disciplines of architecture, art, film, and software programming. As CAMP they have won the New View Award from the 2014 Olhar de Cinema, Curitiba, Brazil, and the Main Jury Award at the 2009 Sharjah Biennial. CAMP has exhibited widely, including at the Queens Museum, New York (2015), the New Museum, New York (2012), Serpentine Galleries, London (2009), Al-Ma’mal Foundation for Contemporary Art, Jerusalem (2009), and Yerba Buena Center for the Arts (2011). They have participated in the biennials in Sharjah (2009–14), Gwangju (2012), Liverpool (2010), and Shanghai (2014), and in numerous film festivals, including the BFI London Film Festival (2013), Festival Internationale de Cinema, Marseille (2013), and the Flaherty Film Seminar, New York (2014). CAMP is based in Mumbai

involved in:

Never Spoken Again: Rogue Stories of Science and Collections

Never Spoken Again reflects on the birth of modern collections, the art institutions that sustain them and their contingent origin stories. Curated by Colombian curator David Ayala-Alfonso, an alumnus of ICI’s Curatorial Intensive, the exhibition is part of ICI’s new series of programs supporting emergent voices in the curatorial field.

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The Ocean After Nature

The Ocean After Nature considers the ocean as a site reflecting the ecological, cultural, political, and economic realities of a globalized world through the work of twenty artists and collectives.

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Slightly Unbalanced

Slightly Unbalanced features work that deals with a range of psychological tendencies, including anxiety, obsessive behavior, depression and narcissism. The artists question what constitutes normalcy, and what qualifies as neurosis, a slippery and suggestive endeavor.

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Phantasmagoria: Specters of Absence

Phantasmagoria includes works by contemporary artists who create ghostly images to reflect on notions of absence and loss, using spectral effects and immaterial mediums such as shadows, fog, mist, and breath.

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What Sound Does a Color Make?

Exploring the fusion of vision and sound in electronic media, What Sound Does a Color Make? connects the recent boom of digital audiovisual art to its pre-digital roots.

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Walk Ways

Walk Ways examines walking as a purposeful or meandering activity that unites physical and mental freedom.

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VIDEOART U.S.A. was born out of a grand-scale erudite and historical study of international contemporary video art. In the present decade it has become increasingly clear that video art extends beyond a new technology designed to please the human eye. It is rather used as a tool to explore the most pressing issues in contemporary […]

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2019 Curatorial Intensive in Auckland: Public Symposium

2019 Curatorial Intensive in Auckland Public Symposium Sunday, August 4, 2019 10am–2pm Artspace Aotearoa 300 Karangahape Rd Auckland, New Zealand 1145 FREE and open to the public This public symposium concludes Independent Curators International (ICI)’s 2019 Curatorial Intensive in Auckland. This is ICI’s first Curatorial Intensive in T?maki Makaurau Auckland, Aotearoa New Zealand which draws […]

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Years of Seeing Red: Simone Leigh and Andrianna Campbell, Co-Presented with Denniston Hill

Image: Simone Leigh, A particularly elaborate imba yokubikira, or kitchen house, stands locked up while its owners live in diaspora (installation view), 2016. Presented by The Studio Museum of Harlem in Marcus Garvey Park, New York, NY, August 25, 2016–July 25, 2017. © Simone Leigh; Courtesy of the artist and Luhring Augustine, New York. Years […]

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Curatorial Intensive in New Orleans: Public Symposium

Curatorial Intensive in New Orleans: Public Symposium Saturday, January 24, 2015 11am–5pm Contemporary Arts Center New Orleans (CAC) 900 Camp Street New Orleans, LA 70130 FREE and open to the public Join the Curatorial Intensive participants in New Orleans on January 24 for a public symposium, where the participants present their exhibition and project proposals […]

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