Gabi Ngcobo is the curator of the upcoming 10th Berlin Biennale for Contemporary Art. Since the early 2000s, Ngcobo has been engaged in collaborative artistic, curatorial, and educational projects in South Africa and on an international scope. She is a founding member of the Johannesburg based collaborative platforms NGO Nothing Gets Organised and Center for Historical Reenactments (CHR, 201014). NGO focusses on processes of self-organization that take place outside of predetermined structures, definitions, contexts, or forms. The CHR responded to the demands of the moment through an exploration of how historical legacies impact and resonate within contemporary art. Recently Ngcobo co-curated the 32nd Bienal de São Paulo, 2016, which took place at the Ciccillo Matarazzo Pavilion in São Paulo, BR, and A Labour of Love, 2015, at Weltkulturen Museum, Frankfurt am Main, DE. She has worked at the Iziko South African National Gallery in Cape Town, SA, and at the Cape Africa Platform where she co-curated the Cape07 Biennale, 2007, Cape Town, SA. In the past she has collaborated with various institutions including Centro Atlantico de Arte Moderno (CAAM), Las Palmas de Gran Canaria, ES; Durban Art Gallery, SA; Joburg Art Fair, Johannesburg, SA; Johannesburg Workshop in Theory and Criticism (JWTC), Johannesburg, SA; LUMA/Westbau, Pool, Zurich, CH; New Museum, Museum as Hub, New York, US; and Raw Material Company, Dakar, SN, among others. She has been teaching at the Wits School of Arts, University of Witswatersrand, SA since 2011. Her writings have been published in various catalogues, books, and journals.
Image: Masimba Sasa. Curator’s Perspective: Gabi Ngcobo Thursday, February 22, 2018 78:30pm Skowhegan School of Painting & Sculpture 136 W 22nd Street New York, NY 10011 FREE and open to the public As part of ICIs Curators Perspectivean itinerant public discussion series featuring national and international curatorsGabi Ngcobo, curator of the upcoming 10th Berlin Biennale […]read more »
The Now Museum: Contemporary Art, Curating Histories, Alternative Models New Museum CUNY Graduate Center What do museums of contemporary art stand for today? The last two decades has seen an unimaginable diversification of the museum as a place for exhibiting art and telling histories, producing innovative education models, promoting international collaborations, forming alternative archives, and […]read more »