Glenn Phillips is Principal Project Specialist and Consulting Curator in the Department of Architecture and Contemporary Art at the Getty Research Institute in Los Angeles. His exhibition California Video won the International Association of Art Critics award for best exhibition of digital media, video, or film in 2008. His other exhibitions include Time/Space, Gravity and Light; Marking Time; Evidence of Movement; Reckless Behavior; Pioneers of Brazilian Video Art 1973-1983; Surveying the Border: Three Decades of Video Art about the United States and Mexico; and Radical Communication: Japanese Video Art 1968-88. Prior to working at the Getty he was Assistant Curator for Special Projects at the Whitney Museum of American Art, where he worked on a number of exhibitions, including No Wave Cinema; The American Century: Art & Culture 1900-2000; the 1997, 2000 and 2002 Whitney Biennial exhibitions; Bitstreams: Art in the Digital Age; and Tony Oursler: The Darkest Color Infinitely Amplified.
Curator’s Perspective: Glenn Phillips
Glenn Phillips, Principal Project Specialist and Consulting Curator in the Department of Architecture and Contemporary Art at the Getty Research Institute in Los Angeles, will give a lecture titled “Curating the 1970s” for the Curator’s Perspective, ICI’s itinerant public discussion series. Focusing on recent exhibitions and works in progress, Glenn will discuss a range of […]read more »
Recurating, Remaking, Redoing
The following is a transcript from Curator’s Perspective: Glenn Phillips at The Kitchen on November 9, 2010.read more »