Michele Horrigan is an artist and curator whose practice revolves around the legacies and potentials of environment and site. She employs video and photography in an investigative manner to research and represent hidden or overlooked narratives, creating new forms of knowledge in the process. Horrigan has considered the role of bauxite refining and its environmental consequences in her ongoing Stigma Damages, while other projects such as Where Does The Law Stand With Leprechauns? probe how mythology and Hollywood movies have created surprising real-life narratives both in Ireland and the United States. Her curatorial energies have an emphasis on working with artists in site-specific or context-led roles. Since 2006 she is founder and director of Askeaton Contemporary Arts (ACA), facilitating artist residencies, exhibitions and publication production in rural southwest Ireland. Many ACA projects have been presented throughout the world in exhibitions, art biennials and film festivals. Horrigan is editor and publisher of ACA Public, an independent press established since 2014. Her writing, essays and articles have been commissioned for among others, Mousse Publishing and Bomb Magazine.
This week, 13 alumni from one of the first Curatorial Intensives held in 2010 participated in a seminar via Zoom. Dialing in from Mexico City, Lansing, Belgrade, Dublin, Lagos, New York City, Columbus, Toronto, Plovdiv, Portland, Porto, Wilmington, and Tel Aviv, the discussion included: David Ayala-Alfonso, Steven L. Bridges, Maja ?iri?, Oyinda Fakeye, Michele Horrigan, […]read more »
The Limerick Hellfire Club by James Worsdale, 1740. Courtesy National Gallery of Ireland Thursday, October 4, 2012 6:308pm ICI Curatorial Hub 401 Broadway, Suite 1620 New York, NY 10013 Askeaton Contemporary Arts: Book Launch Since 2006, Askeaton Contemporary Arts has commissioned, produced, and exhibited contemporary art in the locale of a small town in County […]read more »